The first time I started this book, the beauty of Hannah’s writing took my breath away. I wanted to read it slowly, to give it the time it deserved and ended up having to return it to the library before I’d barely gotten a few chapters in.
Then I waited for the audio book version. Once I started that, it still took me forever to finish it, not just because of how beautifully it was written, but because it made everything feel so real.
And WWII was an ugly time.
The story surrounds the lives of two sisters living in France during the Nazi occupation. Their upbringing was dysfunctional, broken by the loss of thier mother and their father’s inability to recover from his involvement in WWI. When war comes again to France, they both approach it differently, adding a dynamic of family tension to this story of bravery and survival.
Like many well done narratives about life during WWII, it is ripe with tragedy, truth, and hope. It was a hard read for me because the characters were all so real and lovely that I was constantly worried about thier wellbeing. I finally finished with tears in my eyes. While this story is fiction, I couldn’t help but be moved by the depiction of life during this time, the pain and struggle, and how so many people forgot their own wants and dreams to save the lives of strangers.
Beautifully done and unforgettable, this novel was definitely worth the hype that drew me to it.
Timothy and I have been reading to each other since our dating years. We used to read each other to sleep over the phone, a practice that created more than a few interesting phone bills. Tim read me C. S. Lewis’ Out of the Silent Planet and I read him My Cousin Rachel by Daphne du Maurier. On nights when my anxiety disorder was making sleep hard, he’d read me the book of Ruth. In fact, I asked him to read it so many times that he recorded it for me as a gift one Valentine’s Day. I would listen to it when I drove. He’s read the entire Lord of the Rings trilogy to me, plus the Hobbit, and we’re about a third of the way into Seveneves by Neal Stephenson.
Our most recent conquest was to complete all six of Ian Doescher’s William Shakespeare’s Star Wars books.
When watching the movies, we are part of the original trilogy first fandom, so we started our reading with Verily, a New Hope and ended with Tragedy of the Sith’s Revenge.
The first trilogy was awesome. They were funny and clever and so very full of iambic pentameter. The author worked hard to follow the patterns Shakespeare followed in his plays, like lovers speaking to each other in rhyming couplets or random interjections of song. He also deviated at times to attempt to stay true to the Star Wars characters. For example, Doescher felt Yoda’s speech pattern from the movie sounded too close to iambic pentameter, so to distinguish his voice from all the other characters Yoda speaks in haiku. Some of our favorite passages were the ones that tightly mimicked famous scenes from Shakespeare’s plays, and the random soliloquizing of wampas and AT-AT’s.
As someone who occasionally borders on denying the existence of the Star Wars prequel trilogy, I was surprised how much I enjoyed the prequel trilogy books in this series. I was, however, not surprised that my enjoyment of them was still inferior to those on the original trilogy. The Phantom of Menace made some cute jabs at inconsistencies that fans often complain about, like the technological differences between the two time periods, but as the series went on it made me laugh less and less. I think what changed my mind about them was when I realized that the story arch for the prequel trilogy really does mirror a tragedy. I just let myself enjoy the ironically Shakespearian nature of the events and stopped waiting for the next laugh.
These books were absolutely a treasure to read. Doescher’s knowledge of Shakespeare and love of Star Wars created a lovely set of books which appealed to both the nerdy literary and nerdy Star Wars sides of both of our natures. When Tim and I finished with the last one, we discussed the pros and cons of Doescher releasing a book on The Force Awakens before the entire trilogy is released. We both thought he should wait, for purposes of foreshadowing and other literary devices. However, we quickly discovered through Goodreads that it is already written, and The Force Doth Awaken is set to be released on October 3, 2017. Though we’re both a little dubious if this was his best move, we will still happily read it together once it’s released.
All the preparations for Little Baby’s arrival have been putting me on edge, so I’m thankful for books that help me unwind and make me laugh. Bill Bryson’s The Road to Little Dribbling: Adventures of an American in Britain was one of those books.
Bryson was born and raised in Iowa. He married an English woman, and has been living in England for years now, where they raised all their children. His love for England and understanding and appreciation of what it means to be an American, made this book all the more enjoyable for me, especially when he discussed differences in our cultures.
I didn’t know this was a sequel to his book, Notes from a Small Island until I had already started reading. I kept going, figuring that, since it was a travel book, it wouldn’t make a difference. Now that I’m done, I wish I had stopped and read the first one first. Some of the areas he visited were revisits from the first book. It would have been interesting to have a deeper understanding of how the places had changed between the publishing dates of 1995 and 2015. He give plenty of context whenever he discussed changes, so there was no confusion, but I still felt I was missing out on something by reading the second one first.
That aside, everything else about this book was lovely. Bryson has a witty and snarky sense of humor that turns almost all of his interactions with people into laugh-out-loud anecdotes. I listened to this as an audio book, and a few times in the beginning I zoned out, until suddenly I was snapped back into reality when Bryson said something rude or absurd to a shop attendant. Just as I thought, I can’t believe he had the guts to say that he would suddenly admit that he only thought the thing, which meant that the majority of the interaction was all made up. This happened multiple times throughout the book, and seriously, sometimes it was so funny that I had to cover my mouth to keep myself from exploding with laughter in a public place. I mean, haven’t we all been there? That torn feeling of I-really-want-to-tell-you-off-but-it-would-be-rude. I sympathized while I smiled.
By the end of the book I was just in love with his writing style, a combination of history and humor, all built around lovely descriptions of places I’ve never been. Half way through the book, I was adding most of his other books to my Goodreads “to-read” list and checking my library to see which ones they had copies of. Definitely one of my new favorite authors.
There have been a lot of healthy learning curves in my time spent living with my in-laws. One that still continues to baffle me is the reading habits of my eleven-year-old sister-in-law. Partly because I am her ride to the library and partly because I read in virtually every genre and age group, she sometimes asks me for book recommendations. Some days I’ll try to help, others I’ll just shrug and say, “I have no idea.” I can never tell what’s appropriate for her or what will make her upset for one reason or another.
What I believe I’ve learned is that you can’t truly know what is appropriate for someone else’s kid. I live in the same house as her, but I can’t gage from one book to the next how much she’s matured or what content she can handle. Therefore, I ask that you please take this into consideration with my recommendation on the book below.
Personally, I love it when MG authors aren’t afraid to deal with hard topics. I especially love it when they do it in a way that is both wise and tender, so that younger readers can metabolize the depth of the themes they’re dealing with. From what I’ve read of her work, this is one of Kate DiCamillo’s talents, and her book The Tiger Rising is a perfect example of this. It is a short read, only 128 pages, which I actually think is one aspect of it that makes it easier to digest.
The story centers around a young boy and girl who discover a caged tiger. This becomes a metaphor for the struggles in both their lives, that of repressed anger and sadness. This book is about dealing with immense loss. Along with that, it also contains realistic portrayals of bullying and a heartbreakingly beautiful portrait of a family living in a motel, barely making their way. It is not a light bubbly read. It’s not intended to be. Yet I think it excellently done.
I have seen some reviewers condemning it because it’s too sad or heavy. To me, what makes this a worthy read even for a younger audience is the tactful yet truthful way the hard issues are addressed. There should be space in children’s reading experience for books that show them how other people have to live. It helps them develop empathy for those around them. For example, say that a bully is made to read this book by a parent or a teacher, seeing the pain that the tormenters cause to the main characters might prick their conscience about their own behavior. Reading, if the writing is good, forces you into the headspace of another person as a necessary part of the experience. There are even studies that show reading good literature improves a persons ability to empathize.
Also, let’s not forget that not all children lead charmed existences. Life’s ugliness does not pass over you because of age. If the child is experiencing a similar tragedy to the characters, it gives the child hope to read the story, not pain. They can say, “if someone I don’t know could write about a kid just like me, than I’m not alone.” That’s why truth in writing is so important. And, solong as it’s done on a level that they understand and can cope with, is it ever too early to preach truth to a child?
Only you know when and if your child is ready for certain content. Personally, I loved this book and was not at all uncomfortable with its target audience, as I have been with other YA/MG books I’ve read. Kate DiCamillo did justice to a lot of heavy themes with how she gently unfolded the tale. It read like crawling into the lap of a protective loved one. Her words brushed the hair from my forehead, and when I closed the book my heart felt foremost this message, “life can be ugly, but remember child, you’re not alone.”
With Little Baby constantly reminding me of her imminent arrival by hearty kicks and punches, it makes sense that I’d devote a portion of my summer reading list to books on parenting and childbirth.
The first book I tried was one I’d been encouraged to read by several sources. I was even handed a free copy of it on my first visit to the midwives, but ended up giving it back because I already had a copy sitting on my bedside table at home. It was Ina May’s Guide to Childbirth by Ina May Gaskin.
I actually purchased my copy of this book before I even got pregnant. As someone who was terrified of the process of pregnancy and labor, I’d seen and read many places that it was important to fill my mind with positive birth stories to combat my negative notions. This book was recommended so consistently that I bought myself a copy and eagerly began to read, hoping it would allay my fears when I finally got my positive pregnancy test.
The first half of the book is all personal birth stories from women that gave birth on “the Farm” which is the birthing center that Gaskin set up. They are meant to encourage and inspire women towards the beauty and bliss of natural home births with a midwife. But for me, these “positive birth stories” were completely ineffectual. It seemed like many of these women had some kind of complication, some nearly emergent complication, going on during their labor. They all ended up giving birth to happy healthy babies without medical intervention. That, I believe, was the point of them telling their stories. Look what I did without a doctor. I mean, it was touch and go for a while, but it was all fine! Yes. Right. Lovely! But instead of reassuring me, these stories just set me on edge and gave me a longer list of “what ifs” for my still unknown labor and delivery story. *shakes head* I call that a fail at positive birth stories.
Gaskin’s book read to me like a three hundred page advertisement for why you must have a home birth with a midwife and avoid hospitals and doctors. I skipped over the chapters at the end that warned me about the probably hidden mortality statistics for pregnant women giving birth in hospitals. I needed encouragement, not more reasons to fear. And while I highly respect Gaskin for the trail she blazed promoting better childbirth options in this country, I really could have done without reading her book. Especially when taken in conjunction with another book I read, The Positive Birth Book written by Milli Hill.
This book, seriously, was an absolute sleep-saver for me! It opened up with the author explaining how desperately she wanted to be pregnant, but how utterly terrified she was once she saw the positive pregnancy test. Everything about her emotional state echoed mine. She compared it to sky diving. You’re in the airplane, looking down over the distant ground, and you know you have to jump eventually; it’s too late to turn back. You feel guilty for telling people you’re terrified now that you’re actually pregnant. You’re supposed to be happy. Meanwhile, everyone is laughing themselves silly for the look on your face after they’ve told you about all the horrors that await you through pregnancy into parenthood.
This inspired Hill to start The Positive Birth Movement out of which grew her book. It walks through all the stages of labor, the most common complications, the ins and outs of cesareans, and tips on adjusting to the early days postpartum. All of it was told with an upbeat candor that truly brought peace to my thudding heart. This could happen, but this is why it will still be okay.
Another aspect of the book that I loved was how she shied away from the common idea of 3 stages in labor. She described it in 14 stages to make it all as clear as possible, a method I found a lot more beneficial than how Gaskin addressed it in the second half of her book. She also mathematically broke down the average percentage of time that most women are actually in terrible pain during natural childbirth. The average woman is in labor 8 hours and only 23% of that time is spent having contractions. Even if I don’t turn out to be average, just reading that lessened my fear of labor by leaps and bounds.
The whole of that book had that effect on me. I loved it, and if I could recommend any one birth book to a new mother, it would absofrigginlutely be this one.
Even if that topic is of no interest to you, the historical sections were fascinating. One of them went deep into the roots of Liverpool, England to discuss its key role in the slave trade, as well as more current issues of race within the community. The other was about Charleston, South Carolina and the life of District Judge J. Waties Waring. Both of these sections were completely new history to me, and Phillip’s way of telling them was both refreshing and honest.
Another part of the narrative that I found refreshing and honest, was the immigration story of Phillips’ guide in Ghana during Panafest. Phillips almost tells the story twice, and by this challenges the classic stereotypical narrative people often hear or imagine once you discover someone has been deported from a country or denied a visa.
Many of my classmates found Phillips’ tone overly negative. What I saw in him was a skepticism of the idea that the entirety of who we are is to be found in our ancestral roots. But this doesn’t mean he’s completely anti the idea of seeking out your historical origins. He describes things very cynically at times, but he also places against that cynicism the actions of some of the members of the diaspora that he encounters. If you’re paying attention you can see him tracing the community among them. Even if you don’t agree with his ultimate analysis of global community, his book is a fascinating study of the results of the transatlantic slave trade on the black diaspora.
Phillips’ writing is lovely, but I wouldn’t necessarily call this book an easy read. It was dense, though not heavy, and as much as I adored it, the reading itself was slow going. The most rewarding part was the last chapter and the epilogue. Something changed with his writing style and it became like poetry. It happened slowly and subtly. I looked back and couldn’t tell where it even started. By the time I got to the very last paragraph of the book I just didn’t want it to end, the writing was just so beautiful.
I will definitely be reading more of Phillips’ work in the future. He appealed to me with the way his writing was both beautiful and intellectually stimulating.
It’s poetry. Literally. The whole book is a series of poems all telling the story of Lakshmi, a 13 year old girl from Nepal who is sold into prostitution.
It won’t be any surprise when I say that this book was hard to read. It’s Young Adult and not atrociously graphic, but it’s well written enough that it nearly shattered me. I barely slept after I finished it, because it made me feel so powerless. The author went to India and Nepal to interview girls who were saved from child slavery and sex trafficking. It didn’t matter that Lakshmi’s story was fiction; the whole book just feels far too real. It made me feel miserably uncomfortable and helpless, like when you get an alert on your mobile that there has been some global catastrophe, and you know that there is little you personally can do to help.
I think that telling this story through poetry was especially effective, because of the vivid visual nature of poetry. Yes, this can also be accomplished through prose, but I wonder then if the story would have needed a lot more excess description of movement and action. In poems everything is cut back to sensations, sights, smells, sounds, and feelings. This made the book able to talk about something as horribly graphic as child brothels by preserving the essentials and making the trauma palpable.
All I could think was, this girl is only thirteen. This girl is only thirteen.
This book meant a lot to me. It was one of those books that forces your eyes open, drags you from your comfortable life, and screams, “Don’t waste your life. People are suffering. This is real.” These are the kinds of books that deserve medals and awards, because they bring awareness to the world about ugly things. If you can stomach the ugly, read this book.
I spent a day or two looking for organizations that work to stop sex trafficking in Nepal and India. I have placed two links below if you want to read up on the work they do, or donate to help.